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"Cinematic Works"
Bouncing Bullets
©2009 by Fahling Music.
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"BILSKIRNIR" (2'46)
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"Cinematic
Works" THRILLER/SUSPENSE; amazing how effective
the celesta can be in facilitating suspense in a "Exorcist"
kind of way - maybe due to this very association with Celesta and
horror films. Fun stuff, even if this track goes more in the direction
of patriotic Hollywood.
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"MÄRZ ETÜDE" (2'50)
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"Cinematic
Works" MODERN SCORE/ORCHESTRAL; Started
as a guitar study, "MARCH ETUDE" brims with counter melodies
in its orchestration. The awesome piano part effectively turned this
guitar etude into an engaging duet which gets an even greater kick
in the back-side from the orchestra.
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"NIGHTMARE ON 15TH" (3'10)
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"Cinematic
Works" THRILLER/SUSPENSE; basses, celli
and trombones team up on the main themes for a muscular effect covered
with suspenseful upper structures in violins, violas and woodwinds
- and subtle percussion. From eerily floating dreamscapes to bombastic
staccato sections with a change in tempo. |
"TWENTY-FIVE ACTION II" (2'20)
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"Cinematic
Works" MODERN SCORE/ORCHESTRAL; the title
says it already: action and suspense is packed on by modern sound
design, post-modern orchestration and melodic development; middle
part takes it all very much in the direction of soundtracks for recent
Michael Mann films.
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"UPON A CROSSROAD" (3'38)
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"Cinematic
Works" THRILLER/SUSPENSE; this track would
add plenty of ambience to the opening scene/titles for a modern thriller,
featuring a grand theme in the piano over pulsating waves of a string
section.
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"NORDBEATS" (5'56)
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"Cinematic
Works" FANTASY/SCI-FI/AMBIENT; steelstring
guitar flowing effortlessly around repetitive, hypnotizing piano/keyboard
riffs; reminiscent of Pink Floyd/Santana/TheDoors. (also
to be found in the POP MUSIC VAULT)
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"POSTURE PERFECT" (3'30)
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"Cinematic
Works" DRAMA/HISTORIC; a heavy string arrangement
delivers dramatic themes in Goldsmith/Williams/Zimmer style; taking
listener through several movemnets with changes in meter, pulse and
emotional impact.
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"WACKA" (5'12)
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"Cinematic
Works" DRAMA/SCI-FI; Pointillist themes
that develop into grandeur and a beat structure which at first seems
very understated but steadily helps to build those great motivic lines,
effectively tying all of the quirkiness together into one great track
- think of a Western made by David Lynch.
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"FOLIA" (4'39)
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"Cinematic
Works" DRAMA/DOCU; Middle-Eastern percussion
leading to a captivating beat-scape enveloped by a luscious string
arrangement; in the vein of RJD2 with a twist of motion picture score.
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"SOFT CANDY" (3'03)
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"Cinematic
Works" THRILLER/DRAMA; written and produced
after watching "Hard Candy" which is a weird thriller. Piano
with sound design effects and orchestration.
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"PIANO RAIN" (3'32)
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"Cinematic
Works" THRILLER/AMBIENT; sprinkles of piano lead
a string section from suspense to contentment and to a beautiful duett
with an orchestral flute. |
"VERTOONT" (2'58)
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"Cinematic
Works" ACTION/FANTASY/HISTORY/; blatantly
Wagnerian, throw in a bit of Hans Zimmer or Howard Shore, well, epic
Hollywood scoring at least: A male choir teams up with celli and double
basses for a main theme over almost ceremonial, military rhythms in
the rest of the orchestra. Tom Clancy would be all happy with this
in any film version of one of his novels, or think of the television
series "24" for those patriotic, presidential rescue missions.
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(Bouncing Bullets on Myspace) |